For as long as there’ve been multi-mode rear shocks with some manner of pedal platform, I’ve been trying to set up my shock for optimum performance in “Pedal” mode. My thinking was, by running it in the middle setting, I could keep the shock ready for anything. Switch it one way to climb and the other to descend. In reality, that might just have been limiting the performance of the shock, not letting me get the most out of it.
Since all manufacturers suggest setting sag with the shock and fork in full open (or Descend, etc.) mode, it stands to reason you’re setting it up to perform best in that position, right? We asked Duncan Riffle (SRAM MTB marketing manager and former 2x Nat’l DH Champ), Eric Porter (veteran pro MTB’r, now riding for Manitou), Mark Fitzsimmons (Fox Racing Shox’s pro athlete suspension tuner) and Josh Coaplen (Cane Creek’s VP of engineering).
First up, a little clarification of what exactly we’re talking about: When you’re setting your fork or shock to a particular mode (open, descend, trail, pedal, climb, whatever), you’re changing the low speed compression. For Fox forks, that means anything in the zero to five inches per second compression speed. Other brands are likely similar. This affects the suspension’s performance when you’re braking (at the fork), pedaling hard or while standing, railing corners and rollers and anything else that’s not a quick hit or hard landing. Those quicker, bigger hits are controlled by your high speed compression, and most products out there have fixed high speed circuits that are not easily user tunable. Cane Creek’s Double Barrel is the obvious exception.
We started this series with a look at setting your sag properly in Part One, now it’s time to tune those compression settings…
An important point to make before we get started is that your fork and shock settings likely need to be different since their behavior affects the bike in very different ways. We’ll start with the shock, which everyone says should generally be run wide open.
SHOCKS
“When we’re talking about a shock like the Monarch with three different settings -open, pedal and lock- it’s going to be most supple and most reactive when you have it open all the way,” says Riffle. “If ‘trail’ is the only type of riding you’re doing, then you want the shock set up to work as well as possible for that type of riding, and you’ll get that by keeping the shock fully open. You’re going to have the most control, it’s going to stick to the ground better and simply work the best.
“The full open position is really the shock’s neutral setting. That’s where it’s performing the way it’s supposed to, the way the engineers designed it to work. The ‘pedal’ setting is just that, for when you need a bit firmer platform to get up and pedal or hustle.
“But as soon as you start seeing more diverse terrain -roots, rocks, sharp edges- you’re increasing the shaft speed of your shock. So you want your settings to be open so it absorbs those bumps rather than resists them. That means the shock is taking the hit and absorbing that energy rather than you, the rider, which is why we have suspension in the first place.”
Coaplen offers a similar opinion:
“What we’ve run across is there are two camps on this, and it really comes down to preference. As a rider, do you consider ‘up’ and ‘horizontal’ the same? There are some riders that consider any flat sections the same as ‘climbing’, then run the Climb Switch all the way to the start of the descent. If you ride the flats like you do the downhills, actively hammering the bike through the turns and moving around a lot, then you’d only use the Climb Switch on the actual climbs. Most of our product’s riders lean toward the more aggressive side and tend to only flick the Climb Switch on while ascending.
Meanwhile, Fox offers a variation on that, suggesting beginner and average riders start with that middle setting, then adjusting based on trail conditions.
“You’re going to get the best bump absorption performance wide open, for sure,” says Fitzsimmons. “Mountain bike suspension is unique as it sees more than terrain inputs. It almost equally sees rider input, as well. (The low speed compression velocities) are affected by rider input such as pedaling motion, pumping, and out of saddle pedaling. The middle setting is helping mitigate pedaling influence rather than bump absorption, so use it when appropriate.”
But, Fox’s PR manager Mark Jordan expands to say that for more experienced riders, it may make more sense to set it up in the mode you’re going to use. So, if you’re only seeing more XC-ish trail without a huge variation between climbs and descents, then it is indeed perfectly OK to set it all up in and leave it in Descend mode since that’s where the suspension works best. Or even to set sag in Trail mode if you’re going to be pedaling constantly. But, if you’ve got a wide range of inclines and declines to deal with, the additional settings can be used to create a firmer feel when desired.
Coaplen adds: “Anytime you’re not adjusting your suspension for the trail conditions you’re actually on, you could argue you’re compromising your performance.”
It also depends on the bike. With more active suspensions (like FSR), you might end up using the climb mode more frequently. On others, the Trail/Pedal/Middle mode might be plenty adequate to provide a more solid platform without ruining the shock’s ability to track terrain on the climbs.
FORKS
It’s worth noting that most bicycle manufacturers work closely with the suspension brands to custom tune shocks for a particular frame. This includes internal shim and port sizes, air canister size or coil spring rate and other details that get things in the right ballpark for the leverage ratio and intended use of the bike. That’s not the case with forks – what you’re buying aftermarket is almost certainly the exact same fork that comes spec’d on a wide variety of bikes, so it’s even more critical that you find the right settings for your bike and riding style.
Where rear shocks are taking a secondary hit, the fork is charged with absorbing impact and keeping the front end under control. And we don’t mean steering – it has to prevent diving in while simultaneously floating over the little stuff to maintain traction. Set it too soft and it’ll dive under braking, limiting it’s effectiveness, or tip the nose too low in a G-out or off a drop, potentially sending the rider over the bars.
Part of the solution is to set it with slightly less sag than the shock, which we discussed in Part One. The other is allowing it to have a bit of platform, as opposed to it running full open like the shock. To get that “platform” is pretty easy, just dial back the low speed compression settings a few clicks from full open. A well designed adjuster, which most modern forks have, creates the impression of a platform with only minimal impact on high speed compression.